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Dr. Dre on Why He “Bowed Out” of Working With Michael Jackson, Prince – The Hollywood Reporter

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Dr. Dre is revealing why he turned down the chance to work with music icons Michael Jackson, Prince and Stevie Marvel.

Whereas showing on a latest episode of the Hart to Coronary heart present, the rapper and music producer shocked host Kevin Hart when he advised him that he “bowed out” a few occasions from working with a number of the most legendary artists in music’s historical past.

“They just asked me to work with them and I just was like, ‘What the fuck am I going to do with them?’” he defined. “Those are my fucking heroes.”

After Hart reminded him, “You’re Dr. Dre,” the multi-Grammy winner admitted that Marvel was one of the latest artists who he handed on collaborating with. He stated the “Superstition” singer had known as him up, asking to work on a track collectively.

However Dr. Dre stated he likes “the way I feel about Stevie, Prince, Michael, Bruce Springsteen and all of these amazing artists,” which “could change by working with them.”

He added, “These are my fucking heroes. … I like the idea of what I grew up listening to and I want to keep it like that. And I don’t want to fuck up that idea and that look.”

Dr. Dre, who has performed an enormous function within the careers of a number of profitable artists, together with Eminem, Snoop Dogg and Kendrick Lamar, went on to clarify that he prefers to work with newer artists.

“My entire life and career has been dealing with and working with new artists. That’s what I like. Nobody comes in with an agenda,” the report producer stated. “It’s a ball of clay when they walk in the room. You can just form it and do what you want. That’s what I want. Everybody else, especially my heroes, they’re coming in and there’s a set plan as to how the shit should sound, ya know. I can’t, I can’t explore.”

Dr. Dre beforehand revealed in an interview earlier than Jackson’s loss of life in 2009 that he declined to work with the “Beat It” singer as a result of “I like working with new artists. Unless it’s just somebody that, you know, I’m really feeling comfortable with in the studio. I can’t picture myself in the studio like, ‘Yo Mike, do that again.’”



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