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‘Glamorous’ Review: Kim Cattrall Shines In Netflix Series

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Each era will get the aspirational office it deserves. In 2006, “The Devil Wears Prada” helped set up the archetype of an imperious, intimidating lady who guidelines her stylish city workplace with an iron fist; with its apparent Anna Wintour analog, the book-turned-film additionally doubled as a bookend to the period of the print journal editor’s omnipotence. Eight years later, Sophia Amoruso coined the time period “Girlboss,” a cutesy moniker that quickly bought a Netflix adaptation to match. Latter-day examples have up to date the template to maintain tempo with the instances: “Younger” occurred within the wake of the Nice Recession, when securing a dream job requires some deceit, whereas “The Bold Type” was proudly progressive — suppose 2010s Cosmo, not mid-aughts Vogue. In these tales, precise employment is much less safe, however the employer acts much less like a dictator than a stern, if nurturing, mentor.

Now, there’s “Glamorous,” the brand new Netflix present that casts former YouTuber Miss Benny within the Andy Sachs position as an bold ingenue with tons to study. However “Glamorous,” created by “Smash” and “Desperate Housewives” alum Jordon Nardino, eschews its style’s conventional milieu of media and publishing in favor of magnificence and make-up. Initially ordered to pilot on the CW, one can see why “Glamorous” additionally appealed to Netflix; it’s an in depth cousin of “Emily in Paris,” the Lily Collins comedy that’s successful elsewhere on the service. Like that present’s namesake, Miss Benny’s Marco Mejia can be an aspiring influencer, with a realistic hustle and blithe narcissism each born of social media. The careerist of yesteryear needed to work for a prestigious model. The careerist of right now desires to be a prestigious model, although they’re glad to study from their forebears within the meantime.

That brings us to the impressed casting of Kim Cattrall as Marco’s boss, and the much more impressed option to program “Glamorous” immediately reverse the season premiere of “And Just Like That” during which Cattrall will make a quick cameo later this season. Mannequin-turned-makeup-mogul Madolyn Addison shares some key traits with Cattrall’s Samantha Jones; she’s a high-powered skilled with a commanding air and witty appeal. However Madolyn can be extra weak than Samantha. When she meets Marco on the mall kiosk the place he hawks Glamorous by Madolyn wares to his fellow New Jerseyites, her firm is at a crossroads, exploring a possible sale whereas making an attempt to succeed in a brand new viewers. So she hires Marco as her new second assistant, beaming him as much as the Glamorous mothership.

“Glamorous” rapidly coheres right into a office ensemble with each recognizable tropes and an method that’s simply contemporary sufficient to set the collection aside. Nearly all of Madolyn’s workers, Marco included, are queer, an identification that impacts their respective arcs to various levels. Her son Chad (Zane Phillips), the bro-y head of gross sales who craves his mom’s approval, explains that he’s “gay, but not, like…gay.” Her first assistant Venetia (Jade Payton) occurs to be bi, however spends most of her time involved that she’s spent three years on the firm and not using a promotion. Marco finds himself in a traditional love triangle between Ben (Michael Hsu Rosen), a candy nerd who works in product design, and Parker (Graham Parkhurst), a finance bro he meets in an Uber en path to the Hudson Yards Equinox. (One other trait “Glamorous” shares with “Emily in Paris” is its open embrace of capitalist extra.)

The queer themes of “Glamorous” manifest in all the pieces from its offhand jokes to its core conflicts. Venetia observes that Marco is “flopping like a Katy Perry single” in his first week on the job; a trip episode performs out in Provincetown and culminates with a lip sync competitors. Such references might really feel pandering in the event that they weren’t executed with a tongue-in-cheek sense of play. (One sensible montage sees Marco attempt to catch Madolyn in a candid second for Instagram, just for her to dramatically vamp each time she spots him telephone in hand.) Marco’s huge thought for bringing Glamorous to prospects like him is a Pleasure marketing campaign — supposedly, the primary of its form from a luxurious magnificence model. A fast Google reveals this isn’t the case in the actual world, however “Glamorous” is assured sufficient in its candy-hued fantasy to take us alongside for the experience.

A lot of that confidence comes from Cattrall. Miss Benny is new to main a collection, and their efficiency has a tentative high quality that each fits Marco’s 22-year-old naiveté and typically struggles to promote the character’s much less sympathetic aspect. (Marco might know his make-up, however he’s a horrible assistant when he begins.) Madolyn, too, has her moments, disappearing on her workers at crucial junctures and refusing to acknowledge when she might have gambled too freely along with her workers’ livelihoods. However Cattrall attracts on the reverence audiences convey for her position in TV historical past whereas infusing Madolyn along with her personal flaws, drive and killer eyewear assortment. 

Netflix govt Jinny Howe as soon as coined the time period “gourmet cheeseburger” to explain the corporate’s perfect output. “Glamorous” nails the temporary: a profitable and earnest coming-of-age story furnished with foolish gags that talk to its particular viewers, like a marketing consultant named Mykynnleigh (Nicole Energy) whose thought of theater is Stomp. The shiny workplace farce has endured for good motive, placing a relatable quest for significant work in an escapist package deal. “Glamorous” tweaks the format to assist it endure, preserving its joys for Gen Z’s viewing pleasure.

All ten episodes of “Glamorous” at the moment are streaming on Netflix.

Up to date: An earlier model of this assessment misspelled the identify of Netflix govt Jinny Howe.



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