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Gujarati Singer Jahnvi Shrimakar & Marathi Actor Kailash Waghmare Mesmerise The Audience With Their Live Show ‘Same, Same But Different’



Gujarati Singer Jahnvi Shrimakar & Marathi Actor Kailash Waghmare Mesmerise The Viewers With Their Dwell Present ‘Same, Same But Different’ (Image Credit score: IANS)

Maharashtra and Gujarat, two worlds collided in that jam-packed auditorium in Ahmedabad. The stage got here alive with the theatrical efficiency titled ‘Same, Same but Different’ on Friday night time.

The celebs of the present had been Bollywood singer Jahnvi Shrimakar and actor Kailash Waghmare. They took us on a journey, sharing their private histories by means of conventional songs that resonated deep inside.

As Jahnvi sang the soul-stirring “Gham Re Gham Ghanti,” a standard Gujarati track sung by ladies whereas grinding wheat, it took me again to my childhood. Recollections of my grandma’s voice singing that very tune got here flooding again. And I wasn’t the one one swept away. Your complete Gujarati viewers felt a way of nostalgia, transported to easier occasions by the natural performances of those actors.

Remembering a time when Maharashtra and Gujarat had been united, we obtained a glimpse of these days by means of this play. Marathi and Gujarati songs blended seamlessly, with actors talking in each languages. It was a fantastic amalgamation that touched the hearts of the viewers.

Past the music, the play subtly addressed casteism in India. They sang “Na Barchhi, Na Bhaala,” a Marathi track from the Bhim Geet custom, urging the viewers to reject the injustices of caste and embrace the ideas of BR Ambedkar. The play seamlessly intertwined artwork, music, tales, and politics, creating a robust influence.

Directed by Sapan Saran and carried out by the Mumbai-based theatre firm Tamaasha, this play aimed to make music an integral a part of the narrative. Saran mentioned: “We wanted music to be an integral part of the play. I sat with both the performers so many times to bring their original stories to this stage.”

Because the play concluded, Jahnvi sang “Ghor Andhari Rey,” a standard track sung throughout Navratri pageant, inviting all devotees to affix within the garba dance at Pavagadh, the place Mahakali descended. The actor’s impromptu garba dance on stage ignited a want within the Gujarati viewers to affix within the celebration.

This play wasn’t like a flowery risotto; it was extra like a do-it-yourself roti, made with love and care. It portrayed the essence of affection and life, emphasizing connections that endure past fleeting encounters. It left us with laughter and loads of meals for thought. It was a much-needed break for a metropolis immersed on this planet of entrepreneurship all through the day.

Should Learn: When Krushna Abhishek Made John Abraham Stroll Away In Anger After He Mocked His Appearing On His Comedy Present & Later Recalled “He Refused To Shake A Leg…”

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